Her roles were largely stereotypical, yet her charm and goofiness made her memorable. Here’s a look at her work beyond Gone With the Wind.

DESIGN IN FILM: THE MODERN HOUSEAn eight-minute video montage of modern homes—real and fake—as seen on the silver screen.

An examination of the lengthy career of the Chinese-American character actor, from Charlie Chan to Woody Allen.

70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

Our look at the Texas actor’s 43-year film career, including an ill-advised Oscar campaign. 

A look at the professional life of an actress who proved to be much more than just the Wicked Witch of the West.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

Twenty-five cool photos reveal what goes on outside of movie camera range.

Our list of at least a dozen silent film performers that are happily still with us.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

One hundred films whose final words of dialogue make indelible lasting impressions.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

Three overwrought cautionary tales from the 1930s examine the perils of smoking marijuana in polite society.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.


Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

W.C. FIELDSTen of his most memorable character names.

Aliens and mutants take center stage in twenty-five spectacular movie posters from the 1950s.

Our list of ten must-see films—ten artful depictions of the human condition—by one of the world’s most influential directors.

Accomplished directors from the past 50 years talk about their triumphs and challenges in bringing a story to the big screen.

We single out five films that display the talent and range of the Warner Bros. character actor.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

Five films that best represent the fluttery voiced character actress’s charms.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.


A dozen books that became publishing phenomena and, at times, well-made and popular films.

SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

A tribute to a character actress who’s made aunts and spinsters her specialty.

STARS ON STARS: 30 CANDID OPINIONSA collection of favorite quotes from movie folk discussing their peers.

We take a good look at the work of MGM’s legendary art director.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

We select three movie musicals we deeply wish the sunny singer/actress would have made.

Twelve examples of what made the late actor such an enduring movie star.

Ten artful, playful and downright silly shots from some of the most famous movies in existence.

JEFFREY HUNTERWe tip our hat to the underrated (and very pretty) actor best known for going toe-to-toe with John Wayne in The Searchers and hanging on the cross in Nicholas Ray’s King of Kings.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

We take a closer look and listen at Johnny Mercer’s witty ditty about the coming of the season.

BILL GOLD’S MOVIE POSTERSOur salute to the legendary graphic artist, including 25 of his posters for some of the most famous movies ever made.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

THE 43 FACES OF JOHNNY DEPPWe review the wide variety of characters the actor has played, from early teenager roles to larger-than-life eccentrics.

FRED ASTAIREFive lively numbers from the peerless hoofer.

THE ROAD TO HELEN LAWSONJudy Garland, Susan Hayward and the bumpy road Valley of the Dolls producers experienced in casting an important role in a truly lousy film.

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.


Ten Movie Moments That Make Life Worth Living

“Why is life worth living?” Isaac Davis (Woody Allen) asks into a tape recorder in Allen's 1979 film Manhattan. His answers—random yet specific—include the crabs at Sam Wo’s, the second movement of the Jupiter symphony, Sentimental Education by Flaubert, Louis Armstrong’s recording of “Potato Head Blues” and “those incredible apples and pears by Cezanne.” Here’s our version of that, certain elements of cinema that make our lives worth living, or at least make movies worth watching. They seem to come to us from out of nowhere, little pockets of breathtaking beauty, expert craftmanship and happy accidents. Here are ten such moments—random yet specific—that make us stick around for one more day.

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Science Fiction Horror: 25 Spectacular Movie Posters from the 1950s

Besides low budgets, cheesy special effects and overwrought acting, science fiction horror movies of the fifties were often united in theme—the unintended consequences of scientific progress. The central menace of these movies—space alien, undersea mutant or invisible force—was typically rolled out in stages. Audiences would first see the damage done by said creature, then shadowy glimpses of the beast until the film's climax, where the thing was finally presented in all its horrifying (or unintentionally hilarious) glory.

The creative forces behind the movies’ posters were not nearly as coy, depicting full-bodied fiends in vivid color, usually shown terrorizing a scantily clad starlet or the population at large. And, at times, the monsters on the one-sheets proved to be more compelling than the ones onscreen.

Here are 25 examples of such boldly theatrical artwork.

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Betty Hutton

Betty Hutton is not everyone’s cup of tea, to be sure. When she performs, she seems to employ every molecule in her body and play to the very back row of the theater—the one across town. Called “a vitamin pill with legs” by Bob Hope, she makes those around her seem sedate and sluggish by comparison. Hutton has torn through a total of 22 movies throughout her career, with her most famous role being Annie Oakley in the MGM musical Annie Get Your Gun (1950). Her portrayal of Trudy Kockenlocker in The Miracle of Morgan’s Creek (1944) runs an arguably close second.

Born in 1921 in Battle Creek, Michigan, Hutton was two years old when her father bolted. Mother took Betty to Detroit and found work in the automobile industry before opening her own speakeasy. When she discovered that Betty could sing, she pushed her into any opportunity that would allow the youngster to display her pipes, and, by the age of 13, Betty was singing with local bands. She was still a teen when she hit Broadway in Panama Hattie, starring Ethel Merman. It is unclear what happened early in the run of that show—whether Hutton had one of her numbers cut, and if Merman was behind it—but Buddy DeSylva, the show’s producer, saw great promise in her and vowed to have Paramount Studios take a look.

She could toss off a novelty number with gusto, but she also had a lovely way with a ballad, delivered tenderly in her smoky, slightly raspy voice. Paramount signed her and put her in a couple of musical shorts before she made her first feature-length picture, The Fleet’s In (1942). A proven musical talent, Paramount threw a screwball comedy her way, The Miracle of Morgan’s Creek (1944), and confirmed their suspicions that she could make an audience chuckle. “Nobody ever let me act except Preston Sturges,” Hutton once remarked about her Morgan’s Creek director. “He believed in me.”

Audiences believed in her, too, and the Sturges comedy was followed by a string of hits throughout the 1940s, marred only by the critical and box office flop Dream Girl in 1948. She bounced back quickly, though, and by 1950 she was back on top, famously replacing an erratic Judy Garland in Annie Get Your Gun. Hutton’s success in the Irving Berlin musical would be one of her last, and, by the mid-1950s, her career had quieted down significantly.

In her book, The Star Machine, author Jeanine Basinger neatly sums up the actress’s uniqueness: “Hutton keeps nothing in reserve. She hops, she leaps, she mugs, and she grimaces. She throws herself on the floor, jumps up and down, and emits war whoops. She twitches and she tics, but you don’t have to worry that she’s going to fly apart on you the way you fear Judy Garland will…Betty Hutton is many people’s guilty pleasure, but some feel the need to explain her or even apologize for her. Why not just say it right out? She’s nuts, and I love her.”

Here are a dozen pictures that reveal what Betty Hutton the Movie Star is all about.

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Three on a Reefer: Anti-Marijuana Propaganda of the 1930s

The year 1936 was a banner one for cautionary cinema about marijuana and the evils sure to visit you if you dare to take a puff. Two films, Marihuana and the future cult classic Reefer Madness, were released that year, and a third, Assassin of Youth, was in production. Like television, rock and roll and marriage equality in years following, marijuana’s presence in polite society was almost certainly expected to bring about its downfall. One need only pick through the ruins of modern-day Colorado and Washington, where cannabis was recently legalized, to see how prescient these alarm-pullers were. Here are three examples of how the movies sensationalized the weedy menace.

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If you ever get a chance to see a classic film in a theater projected in 70mm, take it. If it’s West Side Story, you’ll notice many things you never knew were there, like the Pepto Bismal and Hershey Bars on the shelves of Doc’s store. If it’s Play Time, you’ll see in great detail every morsel of food served in the lengthy restaurant scene that closes the film. If it’s the odious Song of Norway, well…you will at least have gorgeous scenery to stare at as the staggeringly dull story unfolds. More important, you will see a tale told with a visual clarity that will spoil you for future 35mm screenings. For movies shot and projected in 70mm, there is a greater immediacy to the action—more of a “you are there” quality.

In actuality, the film going through the camera is 65mm wide, with 5mm added for the magnetic audio tracks, making for the 70mm strip that eventually wends its way through the projector. Expenses kept 70mm from being common; film stock was costly, and most theaters were not equipped to project movies of that scale. A roadshow—reserved-seat engagements in select cities—was common for 70mm films prior to general release. During a film’s regular run, it was almost always shown in a 35mm version for smaller houses.

Twentieth Century Fox had Grandeur, producer Mike Todd had Todd-AO and MGM had MGM Camera 65—all brand names for essentially the same format, with minor differences in lenses, cameras and aspect ratios. Around since the dawn of movies, 70mm enjoyed a popular run in the 1950s, luring people away from their small black-and-white television screens, up through the year 1970, which saw a trio of big releases: Patton, Ryan’s Daughter, and Airport.

Here are 30 examples of motion pictures done on a grand scale.

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