70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

GREAT CLOSING LINES
One hundred films whose final words of dialogue make indelible lasting impressions.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.

HELICOPTER OVER HOLLYWOOD

Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

KUNG FU POSTERS AT AMPASIf you’re in Beverly Hills anytime between April 18 and August 25, check out Kick Ass! Kung Fu Posters from the Stephen Chin Collection exhibited in The Academy Grand Lobby Gallery and featuring more than 800 posters and related materials.

STANLEY KUBRICKLACMA’s exhibition of the legendary director’s work features scripts, set models, costumes and props and is open from November 1 through June 30, 2013.

BERLINALE 2013Our recap of the 19 films we saw at this year’s festival.

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

CEDRIC GIBBONS
We take a good look at the work of MGM’s legendary art director.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

BESTSELLERS

A dozen books that became publishing phenomena and, at times, well-made and popular films.


LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.

FRED ASTAIREFive lively numbers from the peerless hoofer.

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.

W.C. FIELDSTen of his most memorable character names.

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Monday
Sep262011

Ten Greats from Nebraska

Prior to Terms of Endearment (1983) and a handful of Alexander Payne films shot there, the state's main ties to the movie industry were Boys Town (1938)—set in Lincoln and Omaha, but shot in Culver City—and a number of personalities who left the plains to work in Hollywood. Here's a look at some of the memorable talents to come from the Cornhusker State.

Omaha-born Frederick Austerlitz—later known as Fred Astaire—began his career in 1905 at the age of five and, with sister Adele as half of his vaudeville act, subsequently toured the country on the Orpheum circuit.

Prolific character actor Ward Bond began his movie career in 1928 and went on to appear in dozens of John Ford-directed films as well as classics like It Happened One Night (1934) and Gone With the Wind (1939). Bond was born in the small town of Benkelman, Nebraska, in 1903.

Marlon Brando was born in Omaha on April 3, 1924. Acting ran in his family—at least his immediate family. His mother was an actress in local amateur theater and later became director of the Omaha Community Playhouse. His sister Jocelyn also hit the boards, eventually heading to New York to pursue a career as a professional. Marlon followed suit in 1943 and...well, you know the rest.

"I keep my family out of my public life because it can be an awful nuisance to them," Montgomery Clift once said. "What's my mother going to tell strangers anyway? That I was a cute baby and that she's terribly proud of me? Nuts. Who cares?" The cute baby in question—born in Omaha, Nebraska, in 1920—made his Broadway debut at the age of 14 in Fly Away Home.

Sandy Dennis was born in Hastings, lived in Kenesaw for a bit and ended up in Lincoln, attending high school with Dick Cavett. At age 19, with a little acting experience from the Lincoln Community Theater Group under her belt, Dennis headed to New York to try her luck on Broadway. Her luck was very, very good.

Henry Fonda was born in Grand Island, Nebraska, and eventually found his way to Omaha, where he appeared under the direction of Dorothy Brando, Marlon’s mother, at the Omaha Community Playhouse. From there, Fonda went east and joined the Cape Cod University Players before finding acclaim on Broadway.

Harold Lloyd was born in 1893 in Buchard, Nebraska and made his stage debut in Tess of the d’Urbervilles at the Burwood Stock Company in Omaha. An accident settlement of $3,000 allowed him and his father to leave the midwest for one of the coasts. They flipped a coin, the west coast won, and the Lloyds made their living in San Diego, where the future silent film comic met director Hal Roach during a local movie shoot. The rest, gentle reader, is history.

Dorothy McGuire, born in Omaha in 1916, became an Omaha Community Playhouse player when cast in their production of A Kiss for Cinderella. Educated in Omaha, Indianapolis and Wellesley, Massachusetts, McGuire eventually made it to Broadway and was brought to Hollywood by David O. Selznick.

Robert Taylor, born in Filley in 1911, had this to say about the folks in his home state: “It's happens that I like the people of Nebraska. They're the best, the most hospitable, the most honest, the most trustworthy people in our whole darned country.” As a teen in Nebraska, he was an athlete, an orator and a cellist. As a young man in California, he was a medical student and an actor at Pomona College. In 1934, a talent scout spotted him and he was signed for a contract at MGM, where he worked for the next 24 years.

In 1902, Wahoo served as the birthplace of one of Hollywood’s most prominent studio heads. The story goes that Darryl F. Zanuck’s father was a hotel night clerk, his mother the daughter of the hotels’s owner and their marriage a bit of a flop. Abandoned by mom and pop by the time he was 13, Zanuck soon afterwards joined the army, held odd jobs and eventually sold a movie idea to Irving Thalberg. A genius for recognizing good stories for the silver screen made for a fast rise up the Hollywood ladder, and Zanuck became head of production at Warner Bros. at the age of 23. He formed 20th Century Films in 1933 and, two years later, helped create 20th Century Fox.

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