BUTTERFLY MCQUEEN
Her roles were largely stereotypical, yet her charm and goofiness made her memorable. Here’s a look at her work beyond Gone With the Wind.

DESIGN IN FILM: THE MODERN HOUSEAn eight-minute video montage of modern homes—real and fake—as seen on the silver screen.

KEYE LUKE
An examination of the lengthy career of the Chinese-American character actor, from Charlie Chan to Woody Allen.

70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

CHILL WILLS
Our look at the Texas actor’s 43-year film career, including an ill-advised Oscar campaign. 

MARGARET HAMILTON
A look at the professional life of an actress who proved to be much more than just the Wicked Witch of the West.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

BEHIND THE SCENES
Twenty-five cool photos reveal what goes on outside of movie camera range.

SILENT SURVIVORS
Our list of at least a dozen silent film performers that are happily still with us.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

GREAT CLOSING LINES
One hundred films whose final words of dialogue make indelible lasting impressions.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

REEFER TRILOGY
Three overwrought cautionary tales from the 1930s examine the perils of smoking marijuana in polite society.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.

HELICOPTER OVER HOLLYWOOD

Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

W.C. FIELDSTen of his most memorable character names.

OUTER SPACE HORROR
Aliens and mutants take center stage in twenty-five spectacular movie posters from the 1950s.

INGMAR BERGMAN
Our list of ten must-see films—ten artful depictions of the human condition—by one of the world’s most influential directors.

10 DIRECTORS / 10 FILMS 
Accomplished directors from the past 50 years talk about their triumphs and challenges in bringing a story to the big screen.

JACK CARSON
We single out five films that display the talent and range of the Warner Bros. character actor.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

BILLIE BURKE
Five films that best represent the fluttery voiced character actress’s charms.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.

BESTSELLERS

A dozen books that became publishing phenomena and, at times, well-made and popular films.


SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

EDNA MAY OLIVER
A tribute to a character actress who’s made aunts and spinsters her specialty.

STARS ON STARS: 30 CANDID OPINIONSA collection of favorite quotes from movie folk discussing their peers.

CEDRIC GIBBONS
We take a good look at the work of MGM’s legendary art director.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

NOT STARRING DORIS DAY
We select three movie musicals we deeply wish the sunny singer/actress would have made.

MICKEY ROONEY’S BEST
Twelve examples of what made the late actor such an enduring movie star.

PUBLICITY PHOTOS
Ten artful, playful and downright silly shots from some of the most famous movies in existence.

JEFFREY HUNTERWe tip our hat to the underrated (and very pretty) actor best known for going toe-to-toe with John Wayne in The Searchers and hanging on the cross in Nicholas Ray’s King of Kings.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

SPRING SPRING SPRING”
We take a closer look and listen at Johnny Mercer’s witty ditty about the coming of the season.

BILL GOLD’S MOVIE POSTERSOur salute to the legendary graphic artist, including 25 of his posters for some of the most famous movies ever made.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

THE 43 FACES OF JOHNNY DEPPWe review the wide variety of characters the actor has played, from early teenager roles to larger-than-life eccentrics.

FRED ASTAIREFive lively numbers from the peerless hoofer.

THE ROAD TO HELEN LAWSONJudy Garland, Susan Hayward and the bumpy road Valley of the Dolls producers experienced in casting an important role in a truly lousy film.

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.

« Oscars 1927-28: A Night at the Roosevelt | Main | American Presidents on Film »
Monday
Dec032012

100 Great Closing Lines

Last lines of movies can be prose or poetry—neat little wrap-ups, baffling enigmas, witty punch lines, weighty morals, desperate pleas and wicked surprises. And they can be a tricky, delicate thing to pull off. The lasting impression of a movie that is merely very good can be greatly elevated by a killer coda; conversely, a stinker exit can sour an otherwise satisfying night at the theater. Here are a hundred of the better ones—final sentiments that rank as our favorites, from the intertitle of a 1927 silent science fiction film to a rare spoken line from 2011’s (mostly) silent Oscar winner.

“Forget it Jake. It’s Chinatown.”
Walsh (Joe Mantell)
Chinatown (1974)

“I’m not even gonna swat that fly. I hope they are watching. They’ll see. They’ll see and they’ll know and they’ll say ‘Why, she wouldn’t even harm a fly.’”
Norman Bates (Anthony Perkins)
Psycho (1960)

“I now pronounce you men and wives.”
Reverand Elcott (Ian Wolfe)
Seven Brides for Seven Brothers (1954)

“Happy the man and happy he alone, he who can call today his own, he who is secure within can say: Tomorrow do thy worst! For I have lived today.”
Narrator (Micheál Mac Liammóir)
Tom Jones (1963)

“How’d you like to make yourself a thousand dollars a day, Mr. Boot? I’m a thousand-dollar-a-day newspaperman. You can have me for nothing.”
Chuck Tatum (Kirk Douglas)
Ace in the Hole (1951)

“Where ya headed, cowboy?”
“Nowhere special.”
“Nowhere special…I always wanted to go there.”
“Come on.”
Jim (Gene Wilder) and Bart (Cleavon Little)
Blazing Saddles (1974)

“What do we do now?”
Bill McKay (Robert Redford)
The Candidate (1972)

“How shall I make out the report on him, Captain?”
“Better make it ‘dead on arrival.’”
D.O.A. (1950)

“Goodbye, Mary Poppins. Don’t stay away too long.”
Bert (Dick Van Dyke)
Mary Poppins (1964)

“There are eight million stories in the naked city. This has been one of them.”
Narrator (Mark Hellinger)
The Naked City (1948)

“You see, this is my life. It always will be. There’s nothing else—just us, and the cameras, and all those wonderful people out there in the dark. All right, Mr. DeMille, I’m ready for my close-up.”
Norma Desmond (Gloria Swanson)
Sunset Boulevard (1950)

“You have no idea what I’m talking about, I’m sure. But don’t worry—you will someday.”
Lester Burnham (Kevin Spacey)
American Beauty (1999)

 “We are all faced throughout our lives with agonizing decisions, moral choices. Some are on a grand scale; most of these choices are on lesser points. But we define ourselves by the choices we have made. We are, in fact, the sum total of our choices. Events unfold so unpredictably, so unfairly, human happiness does not seem to have been included in the design of creation. It is only we, with our capacity to love, that give meaning to the indifferent universe. And yet, most human beings seem to have the ability to keep trying and even to find joy from simple things, like their family, their work, and from the hope that future generations might understand more.”
Professor Louis Levy (Martin Bergmann)
Crimes and Misdemeanors (1989)

“Madness…madness!”
Major Clipton (James Donald)
The Bridge on the River Kwai
(1957)

“The Grand Hotel. Always the same. People come, people go…nothing ever happens.”
Dr. Otternschlag (Lewis Stone)
Grand Hotel (1932)

“That is all.”
P.A. Announcer (Marvin Miller)
M*A*S*H (1970)

“Captain, it is I, Ensign Pulver, and I just threw your stinking palm tree overboard. Now what’s all this crud about no movie tonight?”
Ensign Frank Thurlowe Pulver (Jack Lemmon)
Mister Roberts (1955)

“Alex, will you come in please? I wish to talk to you.”
Eric Mathis (Ivan Triesault)
Notorious (1946)

“You finally really did it. You maniacs! You blew it up! Goddamn you! Goddamn you all to hell!”
George Taylor (Charlton Heston)
Planet of the Apes (1968)

“Never give a sucker an even break.”
Professor Eustace McGargle (W.C. Fields)
Poppy (1936)

“I’ll be right here.”
E.T. (Pat Welsh)
E.T. The Extra-Terrestrial (1982)

“Rich fellas come up and they die and their kids ain’t no good, and they die out. But we keep a-comin’. We’re the people that live. They can’t wipe us out. They can’t lick us. And we’ll go on forever, Pa…’cause we’re the people.”
Ma Joad (Jane Darwell)
The Grapes of Wrath
(1940)

“Never you mind, honey, never you mind.”
Ruth Popper (Cloris Leachman)
The Last Picture Show
(1971)

“The, uh, stuff that dreams are made of.”
Sam Spade (Humphrey Bogart)
The Maltese Falcon
(1941)

“Eliza, where the devil are my slippers?”
Henry Higgins (Rex Harrison)
My Fair Lady (1964)

“Play ball!”
The Pride of the Yankees
(1942)

“Hey Stella! Hey Stella!”
Stanley Kowalski (Marlon Brando)
A Streetcar Named Desire
(1951)

“Love means never having to say you’re sorry.”
Oliver Barrett IV (Ryan O’Neal)
Love Story (1970)

“Love means never having to say you’re sorry.”
“That’s the dumbest thing I ever heard.”
Judy Maxwell (Barbra Streisand) and Howard Bannister (Ryan O’Neal)
What’s Up, Doc?
(1972)

“Mediocrities everywhere. I absolve you! I absolve you! I absolve you! I absolve you! I absolve you all!”
Antonio Salieri (F. Murray Abraham)
Amadeus
(1984)

“Louis, I think this is the beginning of a beautiful friendship.”
Rick (Humphrey Bogart)
Casablanca
(1942)

“Good. For a moment there, I thought we were in trouble.”
Butch Cassidy (Paul Newman)
Butch Cassidy and the Sundance Kid (1969)

“Goodnight, you princes of Maine, you kings of New England.”
Homer Wells (Tobey Maguire)
The Cider House Rules
(1999)

“Today, everything is different. There’s no action. I have to wait around like everyone else. Can’t even get decent food. Right after I got here, I ordered some spaghetti with marinara sauce and I got egg noodles and ketchup. I’m an average nobody. I get to live the rest of my life like a schnook.”
Henry Hill (Ray Liotta)
Goodfellas
(1990)

“Some men get the world. Others get ex-hookers and a trip to Arizona.”
Lynn Bracken (Kim Basinger)
L.A. Confidential
(1997)

“I ask this, that if there be an assassination, I would want five, ten, a hundred, a thousand to rise. If a bullet should enter my brain, let it destroy every closet door...and that's all. I ask for the movement to continue because it’s not about the personal gain, it’s not about ego, and it’s not about power. It’s about the ‘us’s’ out there. Not just the gays, but the blacks and the Asians and the seniors and the disabled. The ‘us’s’. Without hope, the ‘us’s’ give up. And I know you can’t live on hope alone. But without hope, life is not worth living. So you, and you, and you, you got to give them hope. You got to give them hope.”
Harvey Milk (Sean Penn)
Milk
(2008)

“What took you so long?”
“Traffic was a bitch.”
June Gudmunsdottir (Greta Schacchi) and Griffin Mill (Tim Robbins)
The Player
(1992)

“Pa’s got things for you to do, and Mother wants you. I know she does. Shane…Shane! Come Back! ‘Bye, Shane!”
Joey Starrett (Brandon De Wilde)
Shane
(1953)

“He finally got to the top of the world…and it blew up right in his face!”
Hank Fallon (Edmond O’Brien)
White Heat
(1949)

“The horror…the horror…”
Colonel Walter E. Kurtz (Marlon Brando)
Apocalypse Now (1979)

“And I thought of that old joke, you know, the, this guy goes to a psychiastrist and says, ‘Doc, uh, my brother’s crazy, he thinks he’s a chicken,’ and, uh, the doctor says, ‘Well, why don’t you turn him in?’ And they guy says, ‘I would, but I need the eggs.’ Well, I guess that’s pretty much how I feel about relationships. You know, they’re totally irrational and crazy and absurd and, but, uh, I guess we keep going through it because…most of us need the eggs.”
Alvy Singer (Woody Allen)
Annie Hall (1977)

“Look, Daddy. Teacher says, every time a bell rings, an angel gets his wings.”
“That’s right, that’s right. Atta boy, Clarence.”
Zuzu Bailey (Karolyn Grimes) and George Bailey (James Stewart)
It’s a Wonderful Life
(1946)

“See that those others are released. We need some fresh air in here. Looks like a nice morning. You can go now. We’ll call you when we want you. You know, Mrs. Beragon, there are times when I regret being a police officer.”
Inspector Peterson (Moroni Olsen)
Mildred Pierce
(1945)

“Where are you guys going? Wait a minute! I’ll remember this! I’ll remember every one of ya! I’ll be back—don’t you forget that. I’ll be back!”
Johnny Friendly (Lee J. Cobb)
On the Waterfront
(1954)

“There’s a lot to be said for making people laugh. Did you know that’s all some people have? It isn’t much, but it’s better than nothing in this cockeyed caravan…boy!”
John Lloyd Sullivan (Joel McCrea)
Sullivan’s Travels (1941)

“Who’s afraid of Virginia Woolf?”
“I am George, I am.”
George (Richard Burton) and Martha (Elizabeth Taylor)
Who’s Afraid of Virginia Woolf?
(1966)

“That’ll do, pig. That’ll do.”
Farmer Arthur H. Hoggett (James Cromwell)
Babe
(1995)

“Robert E. Lee Prewitt. Isn’t that a silly old name?”
Alma “Lorene” Burke (Donna Reed)
From Here to Eternity (1953)

“He was smiling. That's right…you know, that, that Luke smile of his. He had it on his face right to the very end. Hell, if they didn't know it 'fore, they could tell right then that they weren't a-gonna beat him. That old Luke smile. Oh, Luke. He was some boy. Cool Hand Luke. Hell, he's a natural-born world-shaker.”
Dragline (George Kennedy)
Cool Hand Luke (1967)

“Catherine! Catherine! Catherine!”
Morris Townsend (Montgomery Clift)
The Heiress (1949)

“Did you hear what I said, Miss Kubelik? I absolutely adore you.”
“Shut up and deal.”
C.C. Baxter (Jack Lemmon) and Fran Kubelik (Shirley MacLaine)
The Apartment
(1960)

“Oh Jerry, don’t let’s ask for the moon. We have the stars.”
Charlotte Vale (Bette Davis)
Now, Voyager (1942)

“I’m finished.”
Daniel Plainview (Daniel Day-Lewis)
There Will Be Blood
(2007)

“This is Ripley, last survivor of the Nostromo, signing off.”
Ripley (Sigourney Weaver)
Alien
(1979)

“I was cured, all right.”
Alex (Malcolm McDowell)
A Clockwork Orange (1971)

“Goodbye, Mr. Chips. Goodbye.”
Goodbye, Mr. Chips
(1939)

“Twenty-nine eighty…would you like it giftwrapped?”
“No, it’s for me.”
Buchverkäufer (Kai Ivo Baulitz) and Hauptmann Gerd Wiesler (Ulrich Mühe)
The Lives of Others
(2006)

“Let’s go?! Don’t you wanna see the rest of the movie?”
“I don’t have to see it, Dottie. I lived it.”
Dottie (Elizabeth Daily) and Pee-wee Herman (Paul Reubens)
Pee-wee’s Big Adventure
(1985)

“I used to hate the water.”
“I can’t imagine why.”
Brody (Roy Scheider) and Hooper (Richard Dreyfuss)
Jaws (1975)

“And they’ve got to tell me that I’m much more wonderful than anyone else because Nellie, Nellie…I’m not afraid! I’m not afraid of being just a morning glory. I’m not afraid, I’m not afraid, I’m not afraid. Why should I be afraid? I’m not afraid…”
Eva Lovelace (Katharine Hepburn)
Morning Glory (1933)

“Tara! Home…I’ll go home, and I’ll think of some way to get him back. After all, tomorrow is another day!”
Scarlett O’Hara (Vivien Leigh)
Gone With the Wind (1939)

“The mediator between head and hands must be the heart!”
Metropolis
(1927)

“Mr. Hammond, after careful consideration, I’ve decided not to endorse your park.”
“So have I.”
Dr. Alan Grant (Sam Neill) and John Hammond (Richard Attenborough)
Jurassic Park
(1993)

“Little girls, I am in the business of putting old heads on young shoulders, and all my pupils are the crème de la crème. Give me a girl at an impressionable age and she is mine for life.”
Jean Brodie (Maggie Smith)
The Prime of Miss Jean Brodie (1969)

“Tonight most people will be welcomed home by jumping dogs and squealing kids. Their spouses will ask about their day. Tonight they’ll sleep. The stars will wheel forth from their daytime hiding places, and one of those lights, slightly brighter than the rest, will be my wingtip passing over.”
Ryan Bingham (George Clooney)
Up in the Air (2009)

“There is no bad boy.”
Father Edward J. Flanagan (Spencer Tracy)
Boys Town
(1938)

“Mickey…I’m pregnant.”
Holly (Dianne Wiest)
Hannah and Her Sisters
(1986)

“This was the story of Howard Beale, the first known instance of a man who was killed because he had lousy ratings.”
Narrator (Lee Richardson)
Network (1976)

“Sir Wilfred, you’ve forgotten your brandy.”
Miss Plimsoll (Elsa Lanchester)
Witness for the Prosecution
(1957)

“Throw that junk in.”
Raymond (Paul Stewart)
Citizen Kane (1941)

“Well, nobody’s perfect.”
Osgood Fielding III (Joe E. Brown)
Some Like it Hot (1959)

“Cut! Perfect. Beautiful. Can you give me one more?”
“With pleasure!”
Al Zimmer (John Goodman) and George Valentin (Jean Dujardin)
The Artist
(2011)

“Ladies and gentlemen, stop that girl! That girl running up the aisle—stop her! That’s the girl whose voice you heard and loved tonight. She’s the real star of the picture…Kathy Selden!”
Don Lockwood (Gene Kelly)
Singin’ in the Rain
(1952)

“It’s a strange world, isn’t it?”
Sandy Williams (Laura Dern)
Blue Velvet (1986)

“Mother of mercy, is this the end of Rico?”
Little Caesar, alias Rico (Edward G. Robinson)
Little Caesar (1930)

“Oh, but anyway, Toto, we’re home. Home! And this is my room, and you’re all here. And I’m not gonna leave here ever, ever again, because I love you all, and…oh, Auntie Em, there’s no place like home!”
Dorothy (Judy Garland)
The Wizard of Oz
(1939)

“Well, come see a fat old man sometime!”
Rooster Cogburn (John Wayne)
True Grit (1969)

“You know why you couldn’t figure this one, Keyes? I’ll tell you. The guy you were looking for was too close. He was right across the desk from you.”
“Closer than that, Walter.”
“I love you, too.”
Walter Neff (Fred McMurray) and Barton Keyes (Edward G. Robinson)
Double Indemnity (1944)

“If you get up around the Grampion Hills, you must come up and see me sometime.”
”Oh yeah, yeah…I’ll do that, my little chickadee.”
Cuthbert J. Twillie (W.C. Fields) and Flower Belle Lee (Mae West)
My Little Chickadee
(1940)

“So what’s the answer? That’s what I keep asking myself…what’s it all about? Know what I mean?”
Alfie (Michael Caine)
Alfie
(1966)

“Hello, everybody. This is Mrs. Norman Maine.”
Vicki Lester/Esther Blodgett (Judy Garland)
A Star is Born (1954)

“Men like my father cannot die. They are with me still, real in memory as they were in flesh, loving and beloved forever. How green was my valley then.”
Adult Huw Morgan (Irving Pichel)
How Green Was My Valley (1941)

“No pride at all. That’s a luxury a woman in love can’t afford.”
Mary Haines (Norma Shearer)
The Women (1939)

“Now, where was I?”
Leonard Shelby (Guy Pearce)
Memento
(2000)

“What’s wrong with you?”
“Nothing you can’t fix.”
Philip Marlowe (Humphrey Bogart) and Vivian Rutledge (Lauren Bacall)
The Big Sleep
(1946)

“I do wish we could chat longer, but I’m having an old friend for dinner. Bye.”
“Dr. Lecter? Dr. Lecter? Dr. Lecter?”
Hannibal Lecter (Anthony Hopkins) and Clarice Starling (Jodie Foster)
The Silence of the Lambs
(1991)

“Well, Tillie, when the hell are we going to get some dinner?”
Matt Drayton (Spencer Tracy)
Guess Who’s Coming to Dinner
(1967)

“Mein Führer, I can walk!”
Dr. Strangelove (Peter Sellers)
Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb (1964)

“Yes, I can see now.”
A Blind Girl (Virginia Cherrill)
City Lights
(1931)

“Remember, honey, on your wedding day, it’s all right to say ‘yes.’”
Dorothy Shaw (Jane Russell)
Gentlemen Prefer Blondes (1953)

“I was reading a book the other day.”
“Reading a book?”
“Yes. It’s all about civilization or something—a nutty kind of a book. Do you know that the guy said that machinery is going top take the place of every profession?”
“Oh, my dear…that’s something you need never worry about.”
Kitty Packard (Jean Harlow) and Carlotta Vance (Marie Dressler)
Dinner at Eight
(1933)

“I’m the boss, I’m the boss, I’m the boss, I’m the boss, I’m the boss…I’m the boss, boss, boss, boss, boss, boss.”
Jake La Motta (Robert DeNiro)
Raging Bull
(1980)

“Silencio…”
Blue-haired Lady (Cori Glazer)
Mulholland Drive
(2001)

“I find I am so excited I can barely sit still or hold a thought in my head. I think it’s the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.”
Red (Morgan Freeman)
The Shawshank Redemption
(1994)

“I was to think of these days many times. Of Jem and Dill and Boo Radley, and Tom Robinson…and Atticus. He would be in Jem’s room all night, and he would be there when Jem waked up in the morning.”
Adult Scout (Kim Stanley)
To Kill a Mockingbird
(1962)

“Mr. Rusk, you’re not wearing your tie.”
Inspector Oxford (Alec McCowen)
Frenzy (1972)

“All that other stuff, all that history…to hell with it, right? Forget the Alamo.”
Pilar Cruz (Elizabeth Peña)
Lone Star (1996)

“It is a far, far better thing I do than I have ever done. It is a far, far better rest I go to than I have ever known.”
Sydney Carton (Ronald Colman)
A Tale of Two Cities (1935)

“I sometimes catch myself looking up at the moon, remembering the changes of fortune in our long voyage, thinking of the thousand of people who worked to bring the three of us home. I look up at the moon and wonder: When will we be going back? And who will that be?”
Jim Lovell (Tom Hanks)
Apollo 13
(1995)

“Oh no…it wasn’t the airplanes. It was beauty killed the beast.”
Carl Denham (Robert Armstrong)
King Kong (1933)

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  • Response
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