Her roles were largely stereotypical, yet her charm and goofiness made her memorable. Here’s a look at her work beyond Gone With the Wind.

DESIGN IN FILM: THE MODERN HOUSEAn eight-minute video montage of modern homes—real and fake—as seen on the silver screen.

An examination of the lengthy career of the Chinese-American character actor, from Charlie Chan to Woody Allen.

70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

Our look at the Texas actor’s 43-year film career, including an ill-advised Oscar campaign. 

A look at the professional life of an actress who proved to be much more than just the Wicked Witch of the West.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

Twenty-five cool photos reveal what goes on outside of movie camera range.

Our list of at least a dozen silent film performers that are happily still with us.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

One hundred films whose final words of dialogue make indelible lasting impressions.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

Three overwrought cautionary tales from the 1930s examine the perils of smoking marijuana in polite society.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.


Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

W.C. FIELDSTen of his most memorable character names.

Aliens and mutants take center stage in twenty-five spectacular movie posters from the 1950s.

Our list of ten must-see films—ten artful depictions of the human condition—by one of the world’s most influential directors.

Accomplished directors from the past 50 years talk about their triumphs and challenges in bringing a story to the big screen.

We single out five films that display the talent and range of the Warner Bros. character actor.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

Five films that best represent the fluttery voiced character actress’s charms.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.


A dozen books that became publishing phenomena and, at times, well-made and popular films.

SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

A tribute to a character actress who’s made aunts and spinsters her specialty.

STARS ON STARS: 30 CANDID OPINIONSA collection of favorite quotes from movie folk discussing their peers.

We take a good look at the work of MGM’s legendary art director.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

We select three movie musicals we deeply wish the sunny singer/actress would have made.

Twelve examples of what made the late actor such an enduring movie star.

Ten artful, playful and downright silly shots from some of the most famous movies in existence.

JEFFREY HUNTERWe tip our hat to the underrated (and very pretty) actor best known for going toe-to-toe with John Wayne in The Searchers and hanging on the cross in Nicholas Ray’s King of Kings.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

We take a closer look and listen at Johnny Mercer’s witty ditty about the coming of the season.

BILL GOLD’S MOVIE POSTERSOur salute to the legendary graphic artist, including 25 of his posters for some of the most famous movies ever made.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

THE 43 FACES OF JOHNNY DEPPWe review the wide variety of characters the actor has played, from early teenager roles to larger-than-life eccentrics.

FRED ASTAIREFive lively numbers from the peerless hoofer.

THE ROAD TO HELEN LAWSONJudy Garland, Susan Hayward and the bumpy road Valley of the Dolls producers experienced in casting an important role in a truly lousy film.

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.

« Alfred Hitchcock on Vertigo (1958) | Main | March 28 »

George Gershwin: Ten Terrific Songs on Film

To make us all feel like underachievers, George Gershwin, arguably the greatest American composer of the 20th century, had his first hit song, “Swanee,” when he was 21 and composed “Rhapsody in Blue” at the age of 26. Soon thereafter, the Brooklyn-born artist made his mark on the New York stage with the musicals Oh, Kay! (1925), Funny Face (1927), Girl Crazy (1929), the Pulitzer Prize-winning Of Thee I Sing (1931) and the opera Porgy and Bess (1935). Migrating to Hollywood in the mid-1930s, Gershwin entered the lofty world of Fred Astaire and Ginger Rogers with the score for Shall We Dance (1937), yielding a slew of songs—with lyrics by younger brother and frequent collaborator Ira Gershwin—that joined his already established songbook of national treasures: “They Can’t Take that Away from Me,” “They All Laughed,” and “Let’s Call the Whole Thing Off,” to name three.  “True music must repeat the thoughts and inspirations of the people and the time,” composer George Gershwin once remarked. “My people are Americans and my time is today.”

Here are ten Gershwin classics that graced the silver screen.

“But Not For Me”
Lyrics by Ira Gershwin, music by George Gershwin
Judy Garland
Girl Crazy
The song, written for the 1930 stage show Girl Crazy, was introduced by Ginger Rogers.

Sample lyrics:
They're writing songs of love, but not for me
A lucky star's above, but not for me
With love to lead the way
I found more clouds of grey
Than any Russian play could guarantee

"Fascinatin' Rhythm"
Lyrics by Ira Gershwin, music by George Gershwin
Danced by Eleanor Powell

Lady Be Good
(1941), excerpted in That's Entertainment Part III (1993)
“Fashion on the River” is what Gershwin’s father initially thought the song was called. Written in 1924, the number was first performed onstage by Cliff Edwards, Fred and Adele Astaire in Lady Be Good.

Sample lyrics:
Fascinatin' rhythm, you've got me on the go
Fascinatin' rhythm, I'm all a-quiver
What a mess you're making, the neighbors want to know
Why I'm always shaking, just like a flivver

“How Long Has This Been Going On?”
Lyrics by Ira Gershwin, music by George Gershwin
Audrey Hepburn
Funny Face
Composed for Funny Face in 1928, the tune was replaced by “He Loves and She Loves” and was introduced by Bobbe Arnst when it reappeared in the musical Rosalie that same year.

Sample lyrics:
Can I trust how I feel?
Is this my Achilles heel?
Look at me
I'm all at sea
How long has this been going on?

“I Got Rhythm”
Lyrics by Ira Gershwin, music by George Gershwin
Judy Garland, Tommy Dorsey and cast
Girl Crazy
Originally written as a slow song for the 1928 musical Treasure Girl, the song was reworked for 1930’s Girl Crazy with the new, uptempo version introduced by Ethel Merman, who Gershwin advised to never take a singing lesson.

Sample lyrics:
Ol' Man Trouble
I don't mind him
You won't find him
'Round my door
I got starlight
I got sweet dreams
I got my man
Who could ask for anything more
Who could ask for anything more

“The Man I Love”
Lyrics by Ira Gershwin, music by George Gershwin
Liza Minnelli
New York, New York
Originally titled “The Girl I Love,” the song was part of the score of the 1924 stage show Lady, Be Good. Deleted from that production, it was used again—and deleted again—from 1927’s Strike Up the Band and 1928’s Rosalie.

Sample lyrics:
He'll build a little home
Just meant for two
From which I'll never roam
Who would…would you?
And so all else above
I'm waiting for
The man I love

"Our Love is Here to Stay"
Lyrics by Ira Gershwin, music by George Gershwin
Sung by Gene Kelly, danced by Gene Kelly and Leslie Caron

An American in Paris
Written for The Goldwyn Follies and introduced by Kenny Baker, the movie was released in 1938, a year after George Gershwin’s death, and the tune was the last composition he completed.

Sample lyrics:
In time the Rockies may crumble
Gibralter may tumble
There're only made of clay
But our love is here to stay

“’S Wonderful”
Lyrics by Ira Gershwin, music by George Gershwin
Fred Astaire and Audrey Hepburn
Funny Face (1957)
Thirty years before Astaire had a whack at it onscreen, his sister Adele and Allen Kearns ushered the song into the world in the Broadway hit Funny Face. In 1951, Gene Kelly and Georges Guetary had their turn with it in An American in Paris; Doris Day put her distinctive spin on it that same year in Starlift.

Sample lyrics:
My dear, it's four-leaf clover time
From now on my heart's working overtime
Oh! S' wonderful!
'S marvelous!
That you should care for me

“Strike Up the Band”

Lyrics by Ira Gershwin, music by George Gershwin
Judy Garland, Mickey Rooney and cast
Strike Up the Band
The product of an unsuccessful 1927 stage musical, the instrumental version of the song was a hit. The lyrics eventually infiltrated American society, thanks in no small part to the 1940 movie musical with starring the enormously popular Judy Garland and Mickey Rooney.

Sample lyrics:
Let the drums roll out
Let the trumpet call
While the people shout
Strike up the band

Lyrics by DuBose Heyward, music by George Gershwin
Diahann Carroll (dubbed by Loulie Jean Norman)
Porgy and Bess (1959)
“I think the music is so marvelous, I don’t believe I wrote it” said George Gershwin about Porgy and Bess. A highlight of his creation was a simple, laidback lullaby sung by Clara to her baby, a song that became one of the most recorded songs ever.

Sample lyrics:
And the livin’ is easy
Fish are jumpin’
And the cotton is high
Your daddy’s rich
And your mamma’s good lookin’
So hush little baby
Don’t you cry

“They Can’t Take That Away from Me”
Lyrics by Ira Gershwin, music by George Gershwin
Fred Astaire
Shall We Dance
First heard in Shall We Dance, the song was a rare moment for Astaire and Rogers: a musical number without a dance routine to follow it.

Sample lyrics:
The way your smille just beams
The way you sing off key
They way you haunt my dreams
No, no, they can’t take that away from me

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