BUTTERFLY MCQUEEN
Her roles were largely stereotypical, yet her charm and goofiness made her memorable. Here’s a look at her work beyond Gone With the Wind.

DESIGN IN FILM: THE MODERN HOUSEAn eight-minute video montage of modern homes—real and fake—as seen on the silver screen.

KEYE LUKE
An examination of the lengthy career of the Chinese-American character actor, from Charlie Chan to Woody Allen.

70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

CHILL WILLS
Our look at the Texas actor’s 43-year film career, including an ill-advised Oscar campaign. 

MARGARET HAMILTON
A look at the professional life of an actress who proved to be much more than just the Wicked Witch of the West.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

BEHIND THE SCENES
Twenty-five cool photos reveal what goes on outside of movie camera range.

SILENT SURVIVORS
Our list of at least a dozen silent film performers that are happily still with us.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

GREAT CLOSING LINES
One hundred films whose final words of dialogue make indelible lasting impressions.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

REEFER TRILOGY
Three overwrought cautionary tales from the 1930s examine the perils of smoking marijuana in polite society.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.

HELICOPTER OVER HOLLYWOOD

Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

W.C. FIELDSTen of his most memorable character names.

OUTER SPACE HORROR
Aliens and mutants take center stage in twenty-five spectacular movie posters from the 1950s.

INGMAR BERGMAN
Our list of ten must-see films—ten artful depictions of the human condition—by one of the world’s most influential directors.

10 DIRECTORS / 10 FILMS 
Accomplished directors from the past 50 years talk about their triumphs and challenges in bringing a story to the big screen.

JACK CARSON
We single out five films that display the talent and range of the Warner Bros. character actor.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

BILLIE BURKE
Five films that best represent the fluttery voiced character actress’s charms.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.

BESTSELLERS

A dozen books that became publishing phenomena and, at times, well-made and popular films.


SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

EDNA MAY OLIVER
A tribute to a character actress who’s made aunts and spinsters her specialty.

STARS ON STARS: 30 CANDID OPINIONSA collection of favorite quotes from movie folk discussing their peers.

CEDRIC GIBBONS
We take a good look at the work of MGM’s legendary art director.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

NOT STARRING DORIS DAY
We select three movie musicals we deeply wish the sunny singer/actress would have made.

MICKEY ROONEY’S BEST
Twelve examples of what made the late actor such an enduring movie star.

PUBLICITY PHOTOS
Ten artful, playful and downright silly shots from some of the most famous movies in existence.

JEFFREY HUNTERWe tip our hat to the underrated (and very pretty) actor best known for going toe-to-toe with John Wayne in The Searchers and hanging on the cross in Nicholas Ray’s King of Kings.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

SPRING SPRING SPRING”
We take a closer look and listen at Johnny Mercer’s witty ditty about the coming of the season.

BILL GOLD’S MOVIE POSTERSOur salute to the legendary graphic artist, including 25 of his posters for some of the most famous movies ever made.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

THE 43 FACES OF JOHNNY DEPPWe review the wide variety of characters the actor has played, from early teenager roles to larger-than-life eccentrics.

FRED ASTAIREFive lively numbers from the peerless hoofer.

THE ROAD TO HELEN LAWSONJudy Garland, Susan Hayward and the bumpy road Valley of the Dolls producers experienced in casting an important role in a truly lousy film.

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.


Entries in cary grant (18)

Saturday
Jan232016

January 23

Randolph Scott is born in Orange County, Virginia, 1898. He and Cary Grant became close friends on the set of Hot Saturday (1932) and remained so until Grant’s death in 1986. Early in their careers, they shared a beach house in Santa Monica dubbed “Bachelor Hall,” giving rise to rumors—neither verified nor fully debunked—of a romantic attraction between the two. They were slated to appear together again in Spawn of the North (1938), an adventure about salmon fishing, but were replaced by Henry Fonda and George Raft when speculation about the men’s relationship made Paramount executives nervous. Scott would make one more film with Grant, My Favorite Wife (1940), which saw the men playing rivals for Irene Dunne’s affections.

Paul Robeson dies of complications from a stroke in Philadelphia, 1976. He was a star Rutgers football player, a singer, a stage actor, a civil rights activist and—though he made only a dozen feature films—a movie star. His first picture, Body and Soul (1925), was a middling effort, but two movies are noteworthy for capturing his most successful stage performances on film. The first was The Emperor Jones (1933), a reprise of his role in the 1924 Provincetown Players production of the Eugene O’Neill play. To Robeson’s disappointment, the play was radically reworked for the screen, with 30 minutes of additional material and a mere 45 minutes left from the original work. Show Boat (1936) fared much better, with a faithful screen version of the Jerome Kern/Oscar Hammerstein musical that neatly spotlighted Robeson’s performance of Joe, the deckhand, and his signature song “Ol’ Man River.” The song “Ah Still Suits Me,” performed by Robeson and costar Hattie McDaniel, was added to give the actor more screen time.

Here’s a look at both numbers:

 

Monday
Jan182016

January 18

Cary Grant is born in Horfield, Bristol, England, 1904. “I've worked with [Ingrid] Bergman. I've worked with [Katharine] Hepburn. I've worked with some of the biggest stars,” Grant once remarked, “but Grace Kelly was the best actress I've ever worked with in my life. That woman was total relaxation, absolute ease—she was totally there.” If their one movie together, Alfred Hitchcock’s To Catch a Thief (1955), was not one of the director’s greatest works, the film was nevertheless a class act, buoyed by locations shots of the French Riviera and the cool chemistry between the two leads. Grant was 50 years old when he made the film (his character was 35 on paper) and Kelly was only 24, but any concerns the studio had over their age difference fell away when audiences responded enthusiastically their romantic shenanigans. “She was an extraordinarily serene girl,” Grant said of Kelly. “Both she and Hitchcock were Jesuit-trained. Maybe that had something to do with it.”

The Harvey Girls opens in theaters throughout the United States, 1946. The MGM film about entrepreneur Fred Harvey’s chain of restaurants and lodges was first conceived as a drama with Clark Gable and Lana Turner. With Rodgers and Hammerstein’s Oklahoma! all the rage on Broadway, producer Arthur Freed decided to make The Harvey Girls into a musical with Gable and Judy Garland heading the cast. John Hodiak took over to perform opposite Garland when Gable was channeled by the studio into the drama Adventure (1945). The Harvey Girls enjoyed great box office and good reviews, but the lion’s share of praise was heaped upon its musical centerpiece, the long, elaborate production number “On the Atchison, Topeka and the Santa Fe.” With music by Harry Warren and lyrics by Johnny Mercer, the catchy tune became a big hit in the six months prior to the release of The Harvey Girls, enjoying a 16-week run on the Billboard singles chart and reaching number one for seven of those weeks. Its staggering popularity spread, as three other successful versions of the song hit the airwaves during the same period. The cherry on top came on March 13, 1947: “On the Atchison, Topeka and the Santa Fe” took home the Academy Award for Best Song.

Saturday
Jan022016

January 3

Rouben Mamoulian resigns as director of Cleopatra, 1961. The 1963 release, starring Elizabeth Taylor, was the 192-minute result of a famously beleaguered production, one that immediately hit a snag when Taylor became ill shortly after filming began. Accompanying Mamoulian to the exits were costars Stephen Boyd and Peter Finch, who cited other commitments. Mamoulian, Boyd and Finch were eventually replaced with Joseph L. Mankiewicz, Richard Burton and Rex Harrison, respectively.

Ray Milland is born in Neath, Wales, 1905. The actor worked for the first time with director Billy Wilder in The Major and the Minor (1942), a comedy starring Milland as an army guy who befriends a grown woman (Ginger Rogers) passing herself off as a 12-year-old girl in order to acquire a cheaper train fare. When it came time to begin filming Wilder’s 1945 release, The Lost Weekend, Wilder looked to Jose Ferrer to portray Don Birnam, an author suffering from writer’s block and an addiction to booze. Paramount vetoed Ferrer, citing the need for more of a box office draw. Cary Grant and a handful of others turned Wilder down; Ray Milland did not and got the role of his career, with Wilder predicting that the actor would win the Academy Award. “On the day it dawned, I knew I couldn't face it and made up my mind not to attend,” Milland recalled about the Oscar ceremony, where he was up for Best Actor against Bing Crosby, Gene Kelly, Gregory Peck and Cornel Wilde. “At breakfast, I hesitantly told [my wife] Mal of my decision. She slowly put down her fork and just examined me. I didn't know where to look. Then she said, ‘I know that you're erratic, volatile, and the possessor of a foul temper. But I never thought you were a coward!’ Then with a look as cold as a Canadian nun, she said, ‘You'll go the that ceremony tonight if we have to put you in a straitjacket.’” He won and spoke no words of thanks, but instead bowed to the audience and exited the stage.

Monday
Mar092015

Irene Dunne

Irene Dunne poses with Cary Grant for a publicity photo for The Awful Truth (1937). The screwball comedy was their first film together, a winning combination that led them to reteam in 1940 for the comedy My Favorite Wife and again the following year for the romantic drama Penny Serenade.

I will always remember two compliments [Cary Grant] made me. He said I had perfect timing in comedy and that I was the sweetest-smelling actress he ever worked with.
— Irene Dunne

Wednesday
Mar042015

The High and the Mighty

Aviator Amelia Earhart pays a visit to Cary Grant the set of Wings in the Dark, 1934. Released the following year, the movie starred Myrna Loy as Sheila Mason, an adventurous flyer based upon Earhart, with Grant on hand as Ken Gordon, an aeronautical engineer developing a system that would allow pilots to “fly blind” under difficult circumstances. By the final reel, Gordon, actually blinded in an accident, manages to help a desperate Mason navigate through the fog during a dangerous mission. James Flood directed, Arthur Hornblow, Jr.—the soon-to-be Mr. Myrna Loy—produced and neither critics nor audiences liked it very much. Grant and Loy would fare much better in their remaining two films together, The Bachelor and the Bobby-Soxer (1947) and Mr. Blandings Builds His Dream House (1948). Earhart would not be so lucky.