70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

GREAT CLOSING LINES
One hundred films whose final words of dialogue make indelible lasting impressions.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.

HELICOPTER OVER HOLLYWOOD

Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

KUNG FU POSTERS AT AMPASIf you’re in Beverly Hills anytime between April 18 and August 25, check out Kick Ass! Kung Fu Posters from the Stephen Chin Collection exhibited in The Academy Grand Lobby Gallery and featuring more than 800 posters and related materials.

STANLEY KUBRICKLACMA’s exhibition of the legendary director’s work features scripts, set models, costumes and props and is open from November 1 through June 30, 2013.

BERLINALE 2013Our recap of the 19 films we saw at this year’s festival.

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

CEDRIC GIBBONS
We take a good look at the work of MGM’s legendary art director.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

BESTSELLERS

A dozen books that became publishing phenomena and, at times, well-made and popular films.


LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.

FRED ASTAIREFive lively numbers from the peerless hoofer.

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.

W.C. FIELDSTen of his most memorable character names.


Entries in doris day (5)

Tuesday
Feb262013

February 26

Tony Randall is born Ira Leonard Rosenberg in Tulsa, Oklahoma, 1920. His film roles were mostly comic, starring opposite Jayne Mansfield in Will Success Spoil Rock Hunter? (1957) and Debbie Reynolds in The Mating Game (1959). Then came the film roles for which he is perhaps best remembered, providing crack support to Doris Day and Rock Hudson in the three movies they made together: Pillow Talk (1959), Lover Come Back (1961) and Send Me No Flowers (1964). “Comedy's a serious business,” the actor once remarked. “You've got to be true and funny and not look as though you're trying.”

Tuesday
Apr032012

April 3

Doris Day is born in Cincinnati, Ohio, 1924. Throughout her film career, composer, arranger and conductor Ray Heindorf became one of her favorite collaborators and ended up working with Day on 17 of her movies, including her personal favorite Calamity Jane (1953). “When I first heard ‘Secret Love’ I almost fainted, it was so beautiful,” the actress said. “When we finally got around to doing the pre-recording, Ray Heindorf, the musical director at Warner's, said he'd get the musicians in about 12:30 so they could rehearse. That morning I did my vocal warm-up, then jumped on my bike and rode over to Warner's—we lived in Toluca Lake at the time, which was just minutes from the studio. When I got there I sang the song with the orchestra for the first time. When I'd finished, Ray called me into the sound booth, grinning from ear to ear, and said, ‘That's it. You're never going to do it better.’ That was the first and only take we did.”

This month TCM is showing a terrific new piece narrated by Day about the movies she’s made. Here’s a look:

Friday
Jan062012

Love Me or Leave Me (1955)

What seems like an exercise in odd, unlikely parings—gangster film and musical, James Cagney and Doris Day—really works, delivering a hard-edged punch while generating a hit soundtrack album full of catchy tunes, including “Ten Cents a Dance,” “Stay on the Right Side, Sister”, “Shaking the Blues Away” and the title song. Day plays real-life 1930s nightclub singer Ruth Etting, who marries Martin “The Gimp” Snyder (Cagney), a hood from Chicago who falls for Ruth and builds her into a star of stage and screen. It’s a brutal, abusive, relationship characterized by Snyder’s jealous rages and Etting’s increasing alcoholism. Under Charles Vidor’s direction, Day gives one of her best performances. Cagney, Oscar-nominated for Best Actor for his role as Snyder, ranked this, among the 62 films he made, as one of his favorites.

Saturday
Oct222011

October 22

Mary Wickes dies in Los Angeles, 1995. The character actress made movies for more than six decades, supporting the likes of Bette Davis, Doris Day, Meryl Streep and Whoopi Goldberg. She played nurses and nuns, busybodies and plain old bitties, and she had a way with a wisecrack that could steal a scene from a pro. Comedy was her forte, made obvious by her role as Miss Preen in the Broadway play The Man Who Came to Dinner. The play ran for years and, when it came time to film it, Wickes was brought along with the play’s star, Monty Woolley, to recreate their roles for the 1942 screen version. She continued providing ace work in some four dozen feature films, including Now, Voyager (1942), White Christmas (1954), The Music Man (1962), Postcards From the Edge (1990) and Little Women (1994). “I love playing good comedy with a heart,” she once said, “comedy which touches the audience.”

Friday
Aug192011

"The Man Who Invented Love"

There is a moment in The Pajama Game, the 1957 movie version of the Broadway musical, that has had a history of problems. Babe (Doris Day), has just broken up with Sid (John Raitt), setting up a scene pregnant with musical possibilities. Several were tried.

When the show was in previews prior to its original 1954 Broadway run, Sid sang a song called "The World Around Us," which was dropped as soon as the show hit New York and replaced with Babe singing a reprise of Sid's first-act song, "Hey There."

When it came time to make the movie, Richard Adler (who wrote The Pajama Game score with Jerry Ross) wrote a song for Day called "The Man Who Invented Love," a number shot and later replaced with—care to take a guess?—a reprise of "Hey There."

The saga of the unloved reprise continued in 1973, when the show was revived and a new song, "Watch Your Heart," replaced Babe's "Hey There." The song was retitled "If You Win, You Lose" and it, along with "The World Around Us," were both part of the 2006 Broadway revival starring Harry Connick, Jr., and Kelli O'Hara. Also included? The “Hey There” reprise, this time sung by Sid (Harry Connick, Jr.).