BUTTERFLY MCQUEEN
Her roles were largely stereotypical, yet her charm and goofiness made her memorable. Here’s a look at her work beyond Gone With the Wind.

DESIGN IN FILM: THE MODERN HOUSEAn eight-minute video montage of modern homes—real and fake—as seen on the silver screen.

KEYE LUKE
An examination of the lengthy career of the Chinese-American character actor, from Charlie Chan to Woody Allen.

70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

CHILL WILLS
Our look at the Texas actor’s 43-year film career, including an ill-advised Oscar campaign. 

MARGARET HAMILTON
A look at the professional life of an actress who proved to be much more than just the Wicked Witch of the West.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

BEHIND THE SCENES
Twenty-five cool photos reveal what goes on outside of movie camera range.

SILENT SURVIVORS
Our list of at least a dozen silent film performers that are happily still with us.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

GREAT CLOSING LINES
One hundred films whose final words of dialogue make indelible lasting impressions.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

REEFER TRILOGY
Three overwrought cautionary tales from the 1930s examine the perils of smoking marijuana in polite society.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.

HELICOPTER OVER HOLLYWOOD

Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

W.C. FIELDSTen of his most memorable character names.

OUTER SPACE HORROR
Aliens and mutants take center stage in twenty-five spectacular movie posters from the 1950s.

INGMAR BERGMAN
Our list of ten must-see films—ten artful depictions of the human condition—by one of the world’s most influential directors.

10 DIRECTORS / 10 FILMS 
Accomplished directors from the past 50 years talk about their triumphs and challenges in bringing a story to the big screen.

JACK CARSON
We single out five films that display the talent and range of the Warner Bros. character actor.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

BILLIE BURKE
Five films that best represent the fluttery voiced character actress’s charms.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.

BESTSELLERS

A dozen books that became publishing phenomena and, at times, well-made and popular films.


SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

EDNA MAY OLIVER
A tribute to a character actress who’s made aunts and spinsters her specialty.

STARS ON STARS: 30 CANDID OPINIONSA collection of favorite quotes from movie folk discussing their peers.

CEDRIC GIBBONS
We take a good look at the work of MGM’s legendary art director.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

NOT STARRING DORIS DAY
We select three movie musicals we deeply wish the sunny singer/actress would have made.

MICKEY ROONEY’S BEST
Twelve examples of what made the late actor such an enduring movie star.

PUBLICITY PHOTOS
Ten artful, playful and downright silly shots from some of the most famous movies in existence.

JEFFREY HUNTERWe tip our hat to the underrated (and very pretty) actor best known for going toe-to-toe with John Wayne in The Searchers and hanging on the cross in Nicholas Ray’s King of Kings.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

SPRING SPRING SPRING”
We take a closer look and listen at Johnny Mercer’s witty ditty about the coming of the season.

BILL GOLD’S MOVIE POSTERSOur salute to the legendary graphic artist, including 25 of his posters for some of the most famous movies ever made.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

THE 43 FACES OF JOHNNY DEPPWe review the wide variety of characters the actor has played, from early teenager roles to larger-than-life eccentrics.

FRED ASTAIREFive lively numbers from the peerless hoofer.

THE ROAD TO HELEN LAWSONJudy Garland, Susan Hayward and the bumpy road Valley of the Dolls producers experienced in casting an important role in a truly lousy film.

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.


Entries in leslie caron (5)

Wednesday
Jan062016

Leslie Caron

“Even now I feel furious with myself because whenever there's a camera pointed towards me, my MGM training makes me smile. I don't like it. You can see it on all the people who came from that era because there was no question of them not smiling for the camera. Even Katharine Hepburn—and God knows she was a dramatic actress—if the camera is on her, she smiles.”
— Leslie Caron

Wednesday
Jul252012

July 25

 

Vincente Minnelli dies of pheumonia and emphysema in Beverly Hills, 1986. With a background as a department store window dresser, then a costume and set decorator for stage productions, one would naturally expect the director to have a strong visual style. He also displayed a stubborn perfectionism that gave Meet Me in St. Louis (1944), his third full-length film, an authenticity born from the explicit set décor guidance he requested from author Sally Benson, on whose book the MGM musical was based. In the movie biography of Vincent van Gogh, Lust for Life (1956), Minnelli insisted that a field be spray-painted yellow to match one of the artist’s paintings. And in Gigi (1958), the director found the perfect-looking cat for Leslie Caron’s title character, though it despised Caron and had to be drugged so she could safely hold it while performing the song “Say a Prayer for Me Tonight.” Minnelli unfortunately did not get his way with Brigadoon (1954), with both him and star Gene Kelly wanting the MGM picture to be filmed on location in Scotland instead of the soundstages of Culver City. Studio heads overruled their request and the film subsequently suffered from an overwhelmingly artificial look.

Wednesday
Mar282012

George Gershwin: Ten Terrific Songs on Film

To make us all feel like underachievers, George Gershwin, arguably the greatest American composer of the 20th century, had his first hit song, “Swanee,” when he was 21 and composed “Rhapsody in Blue” at the age of 26. Soon thereafter, the Brooklyn-born artist made his mark on the New York stage with the musicals Oh, Kay! (1925), Funny Face (1927), Girl Crazy (1929), the Pulitzer Prize-winning Of Thee I Sing (1931) and the opera Porgy and Bess (1935). Migrating to Hollywood in the mid-1930s, Gershwin entered the lofty world of Fred Astaire and Ginger Rogers with the score for Shall We Dance (1937), yielding a slew of songs—with lyrics by younger brother and frequent collaborator Ira Gershwin—that joined his already established songbook of national treasures: “They Can’t Take that Away from Me,” “They All Laughed,” and “Let’s Call the Whole Thing Off,” to name three.  “True music must repeat the thoughts and inspirations of the people and the time,” composer George Gershwin once remarked. “My people are Americans and my time is today.”

Here are ten Gershwin classics that graced the silver screen.

Click to read more ...

Sunday
Mar042012

March 4

Hollywood trade magazines announce a new Warren Beatty movie project called Heaven Can Wait, 1977. The story of a Los Angeles Rams quarterback who graduates to the promised land a little too early and must come back to earth in another man’s body was nixed by then-Warner Bros. studio head David Geffen only to be green lighted by Barry Diller after Geffen’s firing. Some interesting casting choices were bandied about: a boxing Muhammad Ali as the lead character, Cary Grant (who reportedly turned down a million dollar offer from Beatty) as Mr. Jordan and either Kate Jackson or Leslie Caron as Betty Logan. In the end, a football playing Warren Beatty assumed the lead role, James Mason took the part of Mr. Jordan and Julie Christie was eventually cast as Betty Logan.

Saturday
Aug132011

Fred Astaire: Five Lively Numbers

Clever choreography, attention to detail, authoritative footwork and sincere emotion are hallmarks of Fred Astaire's dance routines on film. A few of them rank as art: Fred dancing on the ceiling, with a hat rack, with Ginger at RKO. A great many others are simply fun to watch. Here are a handful of the latter—playful routines united by bouncy tunes, boundless energy and high spirits.

 

"Sluefoot" from Daddy Long Legs (1955) Astaire shows up at a college dance and, with Leslie Caron, shows everyone how it's done.

"Stiff Upper Lip" from A Damsel in Distress (1937) George Burns and Gracie Allen join Astaire in a George and Ira Gershwin number set in a funhouse.

 

"Bouncin' the Blues" from The Barkleys of Broadway (1949) Fred and Ginger reunite in this MGM musical, which chronicles the ups and downs of a husband and wife musical comedy team.

 

"Slap That Bass" from Shall We Dance (1937) A pristine, Art Deco engine room (!) is the setting for an Astaire solo dance that gradually builds up steam and ends in a spinning flourish. Song by George and Ira Gershwin.

 

"Coffee Time" from Yolanda and the Thief (1945) It’s almost unheard of that a floor—in this case a wavy, black-and-white striped op-art beauty on which Astaire and Lucille Bremer hold court—threatens to upstage those who perform on it. I suspect that Ruby Keeler and Nijinsky could rise from the dead, perform a muzurka on that zebra squiggle and my eyes would still be looking footward. (So, no doubt, would Ruby Keeler's.) Not to be outdone, though, Astaire and Bremer deliver a jaunty, hand-clapping routine set to a pip song by Harry Warren and Arthur Freed.