70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

GREAT CLOSING LINES
One hundred films whose final words of dialogue make indelible lasting impressions.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.

HELICOPTER OVER HOLLYWOOD

Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

KUNG FU POSTERS AT AMPASIf you’re in Beverly Hills anytime between April 18 and August 25, check out Kick Ass! Kung Fu Posters from the Stephen Chin Collection exhibited in The Academy Grand Lobby Gallery and featuring more than 800 posters and related materials.

STANLEY KUBRICKLACMA’s exhibition of the legendary director’s work features scripts, set models, costumes and props and is open from November 1 through June 30, 2013.

BERLINALE 2013Our recap of the 19 films we saw at this year’s festival.

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

CEDRIC GIBBONS
We take a good look at the work of MGM’s legendary art director.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

BESTSELLERS

A dozen books that became publishing phenomena and, at times, well-made and popular films.


LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.

FRED ASTAIREFive lively numbers from the peerless hoofer.

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.

W.C. FIELDSTen of his most memorable character names.


Entries in the graduate (3)

Wednesday
Aug082012

August 8

Dustin Hoffman is born in Los Angeles, 1937. “I got into acting so that I could meet girls,” the actor once said. “Pretty girls came later. First, I wanted to start off with someone with two legs, who'd smile at me and look soft.” A graduate of Los Angeles High School, Hoffman took an acting course at Santa Monica City College before dropping out and training at the Los Angeles Conservatory of Music and The Pasadena Playhouse. In Pasadena he met Gene Hackman, who eventually left the Playhouse to eek out a living as a New York actor. Hoffman followed suit and, for a time, slept on the kitchen floor of Hackman’s one-bedroom Kips Bay apartment. Hoffman’s movie breakthrough was to have been the role of Franz Liebkind in The Producers (1968). Director Mel Brooks, however, let him audition for another movie just prior to the start of production—a role for which Brooks safely considered Hoffman completely wrong for. He ended up getting the part and getting out of his Producers contract to assume the role of Benjamin Braddock opposite Brooks’s wife, Anne Bancroft, in The Graduate (1967).

Sunday
Nov062011

November 6

Mike Nichols is born in Berlin, Germany, 1931. In a 2009 New York Times interview, Nichols recalled leaving Europe with his family in 1939 to settle in America, with the only English he knew being “I do not speak English” and “Please do not kiss me.” He improved his English, became a U.S. citizen in 1944 and, at 17, went to work at Howard Johnson’s in New York’s Times Square. “A customer asked me what our ice cream flavor of the week was," said Nichols, ”which was a dumb question because there was a huge banner showing that it was maple. So I told him that it was chicken. The customer laughed, but the manager fired me immediately. They were bastards there.” In show business, he helped start Second City Improv and acted onstage here and there before forming a comedy duo with Elaine May—a hit in nightclubs, television and recordings. Directing for the New York stage primed him for directing for the movies, where he joined the A-list with his first feature, Who’s Afraid of Virginia Woolf? (1966). Oscar nominated for his directorial debut, he won the following year for The Graduate (1967) and received more Academy nominations a couple of decades later for Silkwood (1983) and Working Girl (1988).

Saturday
Sep172011

September 17

Anne Bancroft is born in The Bronx, 1931. Though she gave acclaimed performances in such noteworthy films as The Pumpkin Eater (1964), The Turning Point (1977) and Agnes of God (1985)—and won a Best Actress Oscar for The Miracle Worker (1962)—the role of Mrs. Robinson in The Graduate (1967) is perhaps the part Bancroft is most strongly identified with. As the older woman to Dustin Hoffman, she was, in reality, 35 years old—just five years older than Hoffman and a mere eight years older than Katharine Ross, who played her daughter. “Film critics said I gave a voice to the fear we all have,” Bancroft once said of her portrayal, “that we'll reach a point in our lives, look around and realize that all the things we said we'd do and become will never come to be—and that we're ordinary.” Paul Simon sang “Mrs. Robinson” at her memorial in June 2005 following her death from uterine cancer.