70MMThirty visually stunning films that illustrate the grandeur of large-format filmmaking.

MOVIE MOMENTS THAT MAKE LIFE WORTH LIVINGOur collection of ten little moments of breathtaking beauty, expert craftsmanship and happy accidents that rank as our favorites.

25 GREAT SILENT MOVIE POSTERSOur selection of artwork from the early days of motion pictures that expertly illustrate the tone and tale of the films they represent.

GREAT CLOSING LINES
One hundred films whose final words of dialogue make indelible lasting impressions.

CINEMATIC RIDESTen films where carnival attractions add to the plot and give their protagonists a cheap thrill.

12 GREAT MOVIE SONGSElvis, The Beatles and The Supremes join our list of favorite movie themes of the 1960s.

ERROL FLYNN GETS WHACKEDThe actor recalls an unforgettable moment with Bette Davis on the set of The Private Lives of Elizabeth and Essex.

20 DIRECTORS / 20 FILMSSome of the world’s best moviemakers from Hollywood’s Golden Era provide a behind-the-scenes look at their creations.

LOS ANGELES IN THE 1920SVintage clips offer a look at famous boulevards, studios, theaters, eateries and more.

BILLY WILDEROur favorite lines of dialogue from the Oscar-winning writer/director.

WILHELM SCREAMWe trace the history of one of the most famous and beloved sound effects in movies.

WOODY ALLENChoice lines of dialogue, from Take the Money and Run to Midnight in Paris.

JOHN QUALENFive of our favorite performances from the character actor’s lengthy career.

KATHARINE HEPBURNTen authoritative moments when Kate's movie character speaks her mind.

UFA MOVIE POSTERSA look at the early one sheets from the longest standing film studio in Germany.

THE LANGUAGE OF NOIRWe celebrate tough talk from the best of Hollywood’s gritty crime dramas.

HELICOPTER OVER HOLLYWOOD

Aerial shots of Hollywood in 1958 includes Griffith Observatory, Grauman’s Chinese Theater and major studios.

AMERICAWe celebrate one of the most exuberant dance numbers committed to film, a thrilling showcase for freakishly talented folks with music in their bones.

HOLLYWOOD POSTCARDSTen vintage postcards revealing the glories of Southern California's movie mecca.

MAJOR FILMS, MINOR GAFFESTwenty-five mistakes in some of the greatest movies ever made.

BEAUTIFUL WOMENTen of the most physically stunning females to grace the silver screen.

BEAUTIFUL MENFilm giants Cary Grant and his ilk will have to wait. Here we look at ten not-so-obvious choices—actors blessed with incredible good looks, if not legendary status.

NEBRASKANSA look at some of the memorable talentsfrom Astaire to Zanuck—to come from the Cornhusker State.

ELVIS PRESLEYFive essential films for the Elvis movie fan.

FOOTBALLFive classic films where gridiron shenanigans drive the plot. 

GREAT ENDINGSA memorable tussle in Death Valley caps Erich von Stroheim’s broken classic.

IN THE COOL, COOL, COOL OF THE EVENINGJane Wyman and Bing Crosby charm with the Oscar-winning song from Here Comes the Groom (1951).

 AMERICAN LANDMARKS ON FILM From the Empire State Building to the Golden Gate Bridge, we take a look at ten famous sights that added drama to the movies.

RAVES AND RASPBERRIES We select some choice bits from reviews by the late Roger Ebert.

THE GIRL HUNT BALLETWe revisit the stylish Fred Astaire dream ballet from The Band Wagon (1953).

KUNG FU POSTERS AT AMPASIf you’re in Beverly Hills anytime between April 18 and August 25, check out Kick Ass! Kung Fu Posters from the Stephen Chin Collection exhibited in The Academy Grand Lobby Gallery and featuring more than 800 posters and related materials.

STANLEY KUBRICKLACMA’s exhibition of the legendary director’s work features scripts, set models, costumes and props and is open from November 1 through June 30, 2013.

BERLINALE 2013Our recap of the 19 films we saw at this year’s festival.

IOWA FILMS & STARSTen contributions the Hawkeye State has made to motion picture history.

SCREEN TESTSAudition footage from Monroe, Dean, Brando and others.

FOX THEATEROur fond look back at one of San Francisco’s grandest movie palaces.

AUTOBIOGRAPHIESTen great titles penned by industry legends.

THE BAND WAGONNanette Fabray recalls a glaring mistake in the 1953 classic musical.

TRIGGERWe celebrate the life and somewhat creepy afterlife of Roy Rogers's favorite mount.

CHARACTERS: AGNES GOOCHPeggy Cass's memorable turn as a plain Jane coaxed into living a little in Auntie Mame (1958).

DESIGNS ON FILMA handsome volume by author and designer Cathy Whitlock chronicles the history of Hollywood set design.

AL HIRSCHFELDWe select our ten favorite movie posters by the famed caricaturist.

REBECCAFive screen tests for Hitchock’s 1940 classic, with comments by David O. Selznick.

BETTY HUTTONTwelve films that exemplify the charms of this freakishly energetic performer.

CHARACTERS: BABY ROSALIEIn a daffy send-up of Shirley Temple, June Preisser plays an aging child star in MGM's let's-put-on-a-show musical, Babes in Arms (1939).

PRESTON STURGESSnippets of dialogue from six of the writer/director’s best films.

ANSELMO BALLESTEROur gallery of ten striking one sheets from the Italian poster artist.

GREAT MOVIESCelebrating the cool jazz short, Jammin’ the Blues (1944).

CEDRIC GIBBONS
We take a good look at the work of MGM’s legendary art director.

10 GREAT POSTERSOur look at striking works of art that just happen to sell movie tickets.

JOSEPH L. MANKIEWICZSmart dialogue from the Oscar-winning screenwriter.

MUST READMGM: Hollywood's Greatest Backlot provides a fascinating look at a lost treasure.

BESTSELLERS

A dozen books that became publishing phenomena and, at times, well-made and popular films.


LOST HORIZONA dud receives its due as we explore the elements that made this 1973 musical so preposterously memorable.

GEORGE GERSHWINTen classic songs as seen on the silver screen.

DESERT NOIROur report from this year’s Arthur Lyons Film Noir Festival in Palm Springs.

DIAMOND SETTINGSWe take a look at five of our favorite baseball movies of the ‘40s and ‘50s.

FRED ASTAIREFive lively numbers from the peerless hoofer.

PLUNDER ROADFilm noir at its best—and most economical. No backstory, a lean look and just 72 minutes long.

RED DREAM FACTORYWe profile eight films from a unique Russian-German film studio of the twenties and thirties.

W.C. FIELDSTen of his most memorable character names.


Entries in warren beatty (4)

Sunday
May202012

May 20

Adela Rogers St. Johns is born in Los Angeles, 1894. The noted writer landed her first job at the age of 19 as a journalist for the San Francisco Examiner, a William Randolph Hearst publication. She continued her work as intrepid girl reporter until 1948, when she left newspapers to write books and teach. In the film community, she is known for her movie star interviews for Photoplay, for cranking out more than a dozen silent film scripts and for her appearance as herself in Warren Beatty’s Reds (1981).

Monday
Mar192012

March 19

Ursula Andress is born in Bern, Switzerland, 1936. No actress she, Andress was at least able to move her arms and legs and looked darned good doing it. She was primarily a sexy side dish, bringing a dull vivaciousness to 4 for Texas (1963), What’s New Pussycat? (1965) and Casino Royale (1967). Most notably, she emerged from the sea in a bikini in Dr. No (1962), the first James Bond movie to hit the silver screen, playing Honey Ryder opposite Sean Connery’s double agent. Cinema’s first Bond girl also had a long history of famous beaus, Jean Paul Belmondo, Ryan O’Neal, Marlon Brando and Warren Beatty among them. James Dean was another notch on her belt; the volatile nature of their relationship inspired one tabloid to report that Dean was learning German so they could argue in another language.

Sunday
Mar042012

March 4

Hollywood trade magazines announce a new Warren Beatty movie project called Heaven Can Wait, 1977. The story of a Los Angeles Rams quarterback who graduates to the promised land a little too early and must come back to earth in another man’s body was nixed by then-Warner Bros. studio head David Geffen only to be green lighted by Barry Diller after Geffen’s firing. Some interesting casting choices were bandied about: a boxing Muhammad Ali as the lead character, Cary Grant (who reportedly turned down a million dollar offer from Beatty) as Mr. Jordan and either Kate Jackson or Leslie Caron as Betty Logan. In the end, a football playing Warren Beatty assumed the lead role, James Mason took the part of Mr. Jordan and Julie Christie was eventually cast as Betty Logan.

Thursday
Jan052012

January 5

Diane Keaton is born in Los Angeles, 1946. Before Something’s Gotta Give (2003), her forays into directing, her involvement with Warren Beatty—even before her early film career with Woody Allen—she was a Broadway performer in one of the seminal musicals of the 1960s. Of her experience in Hair, for which she was an understudy and eventual replacement for the Sheila character, Keaton remarked, “At the time it was astonishing to have a job. It was odd. Before the show opened we got a shot by a Dr. Bishop. A vitamin shot, only it was not vitamins. It was like methamphetamines. You were flying. A lot of people got addicted.” Her next show—Allen’s Play It Again, Sam—earned her a Tony nomination for Best Featured Actress in a Play. Her personal relationship with Allen led to the couple performing in eight films together, including the 1972 movie version of the play.

See if you can spot her in this clip of the cast of Hair performing on Johnny Carson’s Tonight Show in 1968.